Many american museums are facing big financial troubles in the last period, but these problems doesn’t seem to affect private collectors aiming to promote their arts pieces through the creation of new exhibition buildings. Many of them, in fact, are no longer satisfied by loaing part of their works to public museums od temporary exhibitions around the world, and are trying to raise the cultural – and, most of all, the economic – value of their collection opening new sites! THE COLLECTOR, Mr. Eli Broad, in particular is about to land on the L.A. cultural landscape with an amazing and breathtaking architectural building.
But by who?
According to the Los Angeles Times on May, 25th “the competition was loaded from the start with high-profile firms. Of the six architects asked to present preliminary designs last week for the site on the corner of Grand Avenue and 2nd Street, four are winners of the Pritzker Prize, the field’s most prestigious award. They include Dutch architect Rem Koolhaas and his firm Office for Metropolitan Architecture; Swiss pair Jacques Herzog and Pierre de Meuron; French architect Christian de Portzamparc; and Japanese duo Ryue Nishizawa and Kazuyo Sejima, whose Tokyo firm, SANAA, is the winner of this year’s Pritzker. The other firms asked to take part are New York-based Diller, Scofidio & Renfro, designers of the 2006 Institute of Contemporary Art in Boston, among other projects, and London’s Foreign Office Architects. According to a source with knowledge of the competition – who asked not to be named, citing the confidentiality of the process – a group of architectural advisors organized by Broad last Wednesday narrowed the six firms to two finalists. They are Koolhaas and Diller, Scofidio & Renfro. Broad has said he wants to move quickly on the museum; assuming he can win the needed site approvals without significant delays, he hopes to open its doors by 2012 or 2013″.
And so, here we come again: public museums all around the world are facing one of the worst financial crisis of their history but, as looking at private collectors, there’s going to be more wonderful archispots to be seen all around the world. So, the new future competitors for museums are going to be private collectors exhibition buildings???
And the question, of course, is: what do public museums want to do in order to face this new “attack”? This is going to be the most important question to be answered for museums willing not to close.
P.S. Personal Note: I’d suggest to Mr. Broad to pick up Scofidio&Renfro, love them! Here’s a pic of their Museu da Imagem e do Som in Rio de Janeiro.